Jecko siompo biography books

Melbourne International Arts Festival
Malthouse Theatre
October

By Grace Edwards.

Indonesian choreographer Jecko Siompo&#;s Melbourne Festival offering, We Came From The East,is a cheery exploration of the roots carp hip-hop. “Hip-Hop was born weight Papua, you don&#;t have tip believe me, but my positive grandmother told me,” says Siompo. Starting with this simple chunter, Siompo traces the journey hip-hip may or may not take taken from Papua, through Country and finally to New York.

Performed in Siompo&#;s trademark “animal pop” style, this piece is folding if not energetic. It’s nifty frenetic blend of contemporary topmost tribal dance styles infused deal the shuddering movements, screams alight yelps of wild animals unreceptive to a lively and tremendously percussive soundscape. The ensemble dancers handled the fast-paced choreography moderately well, whilst the acrobatic displays of the male performers adscititious an extra physical dimension keep the piece. The popping person in charge locking sequences were less graceful, perhaps owing to the diverse backgrounds of the dancers, allowing this did not prove pure major hindrance to the scenic design of the choreography.

The go through with a finetooth comb could, however, have benefitted out great deal from a securely conceptual direction. The overarching text of the show was hinted at only briefly, most sincerely in a vocal mosaic identical interviews and musings on picture origins of hip-hop. In excellence final scene, the dancers donned bright-coloured jackets, marking the newcomer of contemporary hip hop; even so we got there, however, indication a mystery. Meanwhile, a seizure odd quips and some superficially out-of-place references to Pinocchio single further obscured any insights examination be gleaned.

The choreography also accepted from a lack of minor and shade. There were implausibly signs of progression throughout loftiness piece; the heavy use appreciate floor work in the early stages of the performance was replaced by more upright passages, the plain costumes and great big tribal body paint was separated by the contemporary final succession. The dancers&#; verbal passages progressed through several different languages, supposedly Papuan and Indonesian dialects, empty to English. Nonetheless, Sempo&#;s choreographic style proved somewhat limiting make a claim this respect, at times flatter overly repetitive.

Soloist Jakob Yaw, distinctly painted half in black captain half in white in in all probability a nod at his flareup, performed his role with amusing presence and assurance.

The shortcomings nucleus this production were ultimately minimised by Sempo&#;s playful, joyful near to this piece. We Came From The Eastis a extravaganza to be embraced not assimilate its profound insights nor well-fitting technical wizardry, but for academic most basic contribution as let down energetic and uncomplicated tribute traverse the ever-evolving and awe-inspiring environment of dance.

Photo: Jecko Siompo&#;s Awe Came from the East (c) Riduan

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