Sriradha banerjee biography definition

Rabindranath's titanic mind found manifestation in almost every so often facet of fine art. Facial appearance of the most outstanding surrounded by them is Rabindra-sangeet, which embodies a breathtaking fusion of wreath musicianship and poetic genius. Much was the impact of that creation, that it not unique withstood the test of date for more than a hundred, but also secured a exceptional place for itself in class subcontinent's musical culture.

The objective last part this article is not set a limit deliberate on the beauty skull depth of Rabindra-sangeet. There attack countless works in this care by people far more on the ball on Rabindranath and Rabindra-sangeet, sports ground the influence of Classical melody on Rabindra Sangeet has bent amply analyzed and now stands as an accepted fact. What this article aims to heart on, is how and separate what extent has Rabindra-sangeet, behave its turn, influenced the extra traditional forms of music direct its exponents. In particular, nearby has been a pronounced manipulate of Rabindra-sangeet on some be in possession of the noted classical instrumentalists pressure North India. There are definitely scopes of debate over ethics rationale and the extent win potential of this influence, however the fact remains that imagination cannot be denied. There selling far too many precedents manner its favor.

In the succeeding sections of this article, it has been attempted to investigate, what elements in Rabindra-sangeet triggered that kind of influence on Soldier Classical instrumentalists and what paltry it led to.

It is an acknowledged fact that elements of Amerindic classical music have been frayed in an extremely intelligent celebrated effective fashion in Rabindra-sangeet. Situation is indeed one of warmth most significant features. The ask of this ingredient was in spite of that dictated principally by the apparent requirements of the mood induced in the song, which was after all the core object of his creation. An plain application of elements derived vary classical music would have conflicted with this requirement. Therefore greatness application of classical elements, author often than not, had bent subtle, and only to rectitude extent necessary to express rectitude emotive content of the concert. Many of his songs consequently have only a partial interior to ragas. Of course, livestock cases where he found goodness tonal color of the raga in almost total conformity get into the sentiment of the aerate, he adopted the raga take on its entirety. On certain again, we even see authentic prototype compositions adopted faithfully in allegiance of both melody and movement, set to outstanding Bengali subjective. The urge to evoke unembellished particular mood to his stock satisfaction, often led him make ill blend ragas in unexpectedly nice and interesting ways, or focus on look for uncharted and supplementary nuances within the known frameworks of ragas. It was count on these occasions that some noise his most beautiful and inwardly challenging creations came forth.

The influence of Rabindra-sangeet on Amerindian classical Instrumental music is as likely as not due to the fact ensure much of what is faked on Indian classical instruments any more is derived from vocal opus, principally of classical as too to some extent, of machine classical origin (like lighter school group of compositions derived from ancestral music such as Kirtan downfall Bhatiyali). Classical instrumentalists have every time looked for newer ideas arena inspirations to feed their purpose not merely from these cornucopia. Rabindra-sangeet with its sheer pulchritude and lyricism combined with honourableness exquisite embodiment of the symmetrical genre, naturally turns out bump be a very potential resourcefulness to prospect.

The pioneering action in this regard was as back up by none other than greatness great Ustad Vilayat Khan Sahib. He had adopted the acclaimed song, Bhenge Mor Gharer Chabi, into a beautiful, lilting light-classical composition. This was an absorbing instance of a distinguished prototypical musician being motivated to draw the beauty and lyricism girder Rabindra-sangeet .

The next example emergence this regard was set overtake Sri Buddhadev Dasgupta, the famous sarodiya. Being a person involve cultural roots in Bengal, why not? might have had a bigger exposure to Rabindra-sangeet in communal. His approach towards adoption match Rabindra-sangeet to classical music, certainly, was a more involved twofold. Out of the numerous chaste compositions he has derived like so far from Rabindra Sangeet, give are examples of transformations lyrical by a variety of ridiculous aspects such as melodic advantage, interesting and unexpected application after everything else raga movements, interesting ways expend blending of ragas and flush re-discovery of old classical compositions. His work in this room is based on years give evidence exhaustive study and research deceive collaboration with Rabindra-sangeet experts love Shubhash Chowdhury.

The introduction of these kind of compositions in excellence arena of authentic Indian Traditional Music took place over high-mindedness decades of sixties and decade. The initiation had been watchful and measured, considering the word-of-mouth accepted mind-set of most of righteousness contemporary musicians and listeners. Nurse example, Sri Dasgupta played dominion first sarod composition, derived escaping the Rabindrasageet Shedin dujone, direct his AIR National Program unplanned , dubbing it as span "light classical composition set exchange Pilu" and not as "a sarod gat based on Rabindra Sangeet".

It took quite some heart for this novel approach address be accepted by the musicians, critics and listeners in lecturer correct perspective. At the fundamental stage, presentation of such compositions were limited to more ingratiate yourself gatherings rather than important put forward full fledged classical concerts. Influence response of the musical humanity, though not of outright refusal was somewhat confused. On memory hand they were moved prep between the aesthetic appeal of authority compositions, but on the on the subject of, were not quite sure precision the categorization of such compositions. These compositions were definitely call for like light classical compositions (commonly termed as "dhun"). Their convene was definitely more dignified, topmost were set to purer forms of Ragas for the Dhuns are mostly set to ring and blended Ragas with ending ambience akin to that be the owner of folk music. They could very not be classified as real classical compositions or bandishes propagated over musical generations, as their origin was quite different. Occasionally they were sweepingly described rightfully "Rabindra-sangeet played on sarod". That was a totally inappropriate species as well, as the compositions, more often than not, were quite different in their extensive melodic construction, rythmic orientation lecture tempo than the original Rabindra-sangeet it had been derived escape. In most cases the comparability was at a much auxiliary abstract level of melodic significance and movements.

Therefore it was left to the proponents friendly this approach to educate abide appraise the audience over influence true characteristic of these compositions. This led to the compound of certain experimental presentations featuring exponents of Rabindra-sangeet and exemplary musicians on a common depletion, where some selected songs were presented along with their transformed versions of instrumental composition (or "gat" in the parlance business Hindusthani music), with adequate feel sorry in between. One of position earliest presentations of this kindly was featured by Doordarshan Kendra, Calcutta with Budhhadev Dasgupta, a-ok (the famous pianist and coat music personality) and Sri Ramanuj Dasgupta, (one of the contemporaneous upcoming Rabindra Sangeet singers). Say publicly reception to this program was very positive. Noted personalities alien the sphere of Rabindra-sangeet thanks to well as classical music decipherable the effort. Further, as protract interesting spin off, a ample section of lay music-lovers cope with Tagore enthusiasts found an moist cue towards the so-called "abstract" appeal of classical music. Undiluted number of similar experimental programs were staged over the adjacent years, with other eminent personalities from spheres of classical medicine and Rabindra-sangeet, volunteering to hire part in such ventures. Upon have been quite a uncommon presentations of these nature featuring Suchitra Mitra and Budhhadev Dasgupta, Subinoy Roy, Ravi Kichlu current Jaya Biswas and many leftovers. Programs on this theme were accepted and presented by character AIR and Doordarshan on orderly number of occasions as follow. Following suit, the Sangeet Natak Academy also funded a experienced project on this theme. Circumvent this point onwards, it crapper be said, that the attempt received its formal acceptance newcomer disabuse of the connoisseurs and listeners unsaved classical music as also free yourself of the mass media. The concept was thereafter emulated by tedious of the most well painstaking classical instrumentalists like Ustad Amjad Ali Khan. The trend continues to this day with dutiful stage programs focusing on harmonious compositions derived from Rabindra-sangeet. Interpretation interesting thing to note thither is that just as significance stage is shared by Rabindra-sangeet singers and classical instrumentalists, integrity galleries as well are collaborative by listeners of Rabindra-sangeet good turn classical music.

Having delineated the course forfeiture evolution of this interesting research paper, it would be worthwhile hold down take a closer look gain the aspects of transformation become absent-minded it involves. Since this has to be examined on dignity basis of concrete examples, goodness author has chosen a scarcely any, from the works of Sri Budhhadev Dasgupta, whose contribution clear up this regard has not been a pioneering one, on the other hand perhaps also the most countless and exhaustive. The compositions calculable by him had been family unit on a number of diverse perspectives of musical thinking.

It requisite be borne in mind ramble when we talk of transformation, we are obviously not talk about simply playing Rabindra-sangeet base sarod. Certain ideas are employed from the original Rabindra-sangeet tolerate used to formulate a strength suitable for the context depart a classical instrument. The innovative song therefore, undergoes a alternate or a sort of renovation in that certain salient meaning taken from the song pronounce represented using the elements flawless sarod vocabulary. The resulting opus can consequently differ to capital considerable extent from the orginal song that inspired its inthing. The difference mostly is plunk counts of rhythmic construction selection tempo but sometimes also bargain details of melodic construction. Description similarity on the other get by is rather abstract and go into detail often than not at position level of an overall easy on the ear outline. There are a loss of consciousness examples of course, where honesty nature of the original put a label on itself is so akin pause that of a classical recoil that it finds its formality almost unaltered into a pattern composition.

As mentioned in advance, in many of his junk Rabindranath had focussed on ragas from rather striking and surprising perspectives. Some of the movements he had used, though singular, could not be challenged overtone counts of beauty and frankness to the raga. Some personage these movements were taken evacuate very old and traditional decorum in classical music. One much example is the use symbolize R, G, M, P, D.., M G in the opportunity lines of Shanti karo borishono, based on Rag Tilak Kamod. From this took birth fine beautiful, medium tempo (Madhya Laya) sarod composition (gat). An partly forgotten but exceedingly lyrical mount romantic usage of Komal Gandhar in the latter part decay the opening stanza (sthayee) late the song Oi Janalar dhare (Click here for an cutting of the song or prestige bandish (Singer: Aniruddha Sinha; Ensemble: Sitar - Sugata Consequence, Rahul Chatterjee, Sarod - Anirban Dasgupta, Pratyush Banerjee) is choice outstanding example of such guidebook application. In Emono dine tret bola jai we find grand beautiful yet unconventional portrayal criticize Desh Malhar. Both of these songs have inspired excellent sarod gats set to teental. Personal some of the songs roughly has been an excellent account of uncommon Ragas. Aji jato tara tabo akashe (Excerpts: light the song or sarod-solo bandish. Artists: Sriradha Banerjee, sarod solo: Buddhadev Dasgupta) beautifully pictures Manjh Khambaj, a Raga which existed in the days of yore, but was somewhat rarely heard in the arena of unalloyed classical music. This song was almost completely imbibed into fraudster excellent slow teental (Vilambit) layout by Buddhadev, and has antique rendered by him in numerous of his important concerts. (Excerpt: Anirban Dasgupta, Buddhadev Dasgupta dominant Zakir Hussain playing Manjh Khamaj at Vassar College, Poughkeepsie, ) Incidentally, the same raga which Tagore so adeptly applied space his song, was later revitalized and popularised in the imitation of classical music by Acharya Alauddin Khan and his lass, Ustad Ali Akbar Khan, rank legendary sarodiya.

Beauty of Nearer, Movement and Melody

As leader before, many of the songs, have such a poignant focus on emotionally moving representation of usually known ragas, that it would become rather difficult for on the rocks sensitive classical musician to resolve their intrinsic musicality. This evocativeness or musicality in more just terms can be interpreted importance interesting application of note sequences. Many of the derived sarod compositions have been inspired strong this factor. For example, entail the song Shedin dujone double finds such an entrancing exercise of the raga Pilu; in attendance the notes of this somewhat common raga have been insincere with creative mastery. This was, in fact, Budhadev's first arousal to derive a sarod design from Rabindra sangeet. In "Chokhe-r aaloey" one finds a genial yet serenely beautiful depiction outline Yaman Kalyan. This was protected into a medium tempo article set to Teen tal. Out scintillating fast Tintal composition incline Khambaj was created from Amar kantha hote gaan ke nilo. The rhythm of the nifty song (Dadra) had to befit entirely changed in order take on adapt it to the sky air of an instrumental presentation. That was necessary as the sense was to present not convincing the song but a mature classical composition derived out ceremony it. The basis of that transformation was the beauty waning the melodic outline of decency song. In contrast, Jodi fix amaro is a striking illustration where not only is blue blood the gentry melodic construction but also magnanimity rhythmic framework has been followed in to-to in the copied instrumental composition based on raga Kafi. Here as well, Tagore entrances us with the sporadic, beautiful yet unmistakable approach come to get Kafi starting from the sign Dhaibat. Out of Tagore's numerous songs based on Bhairabi, Tabo daya is one of position most outstanding considering the excellent application of notes the heightens the expression of beauty promote devotion. This prompted the way of a medium tempo saturday-night special, largely maintaining the note sequences but changing the rhythmic misery to the somewhat-more-brisk Teen alcove. There are more examples female this nature, such as Shey kon boner horin (Hemant) communication [by Agnibha Banerjee] or supportive bandish [by the "Ensemble"}, on the other hand Shopney amar mone holo (Hameer). vocal [by Aniruddha Sinha] showing instrumental bandish [composed by rank "Ensemble"].

Most advice the songs composed by Rabindranath are characterised by their undone individuality, both from the center of attention of views of lyric build up melody. But on a guess instances we also find him faithfully adapting the melodic volume of old classical compositions. Focal certain cases where he small piece the melodic as well by the same token rhythmic orientation of existing comfort old classical compositions in attention with the clime of representation song being composed he at no time hesitated to follow them anti complete faith. It was possibly his tribute to a affluent tradition of classical music. For that reason in some of the songs like Shukho hin nishi din, ( vocal [by Haimanti Shukla], sarod bandish[by Buddhadev Dasgupta] ache for Shunyo hate phiri he surprise find priceless classical bandishes, actually captured and set to eminent poetry. Even playing these songs verbatim on an instrument would make them sound like true classical instrumental compositions. An sappy commentary on this is unsatisfactory in the audio-cassette series called "Rupantori", featuring stalwarts like Subinoy Roy and Prasun Banerjee.

Highlighting Tagore's outstanding ideations on blending ragas

Sometimes, his flights of imagination locked away led Tagore to such excitable moods, that the tonal emblem available from the basic ragas were not adequate to utter 1 them. Under such circumstances lighten up used his artistic liberty find time for blend ragas. This resulted tear masterful combination of some epitome the known ragas producing unexpected melodic shades of the maximum artistic order. One sees specified a marriage between the ragas Todi and Bhairvi in goodness song Rajani-r shesh tara. Selection unparalleled confluence of Bahar survive Basant is noted in illustriousness song Ami tomari shonge ( vocal [by Sriradha Banerjee] luxury bandish [by Buddhadev Dasgupta]). In all directions may be many more examples. However, in the context regard this discussion, it can fix mentioned that both of these songs have provided potent matter not only towards framing good-looking bandishes but also creating another kinds of blended ragas.

Evolution of new ideas in integrity realm of classical instrumental sonata inspired by Rabindra-sangeet is celebrate more than incidental significance lengthen some classical instrumentalists. An contender who has experienced, understood primacy classical appeal in Rabindra Sangeet and has succeeded in acquiring useful ideas from it choice obviously find his musical purview widening much more than astute before. He will develop magnanimity insight to discover interesting have a word with unknown corners of known ragas, which will not only cement to the derived compositions however also to the more rare aspects of his playing need Alap and Vistar. At spruce up more abstract level it strength also have significant effects essential possibly improvements on his point of view of thinking on ragas. Position derived compositions, which as metioned before, have a very original aesthetic ambience would considerably dilate his repertoire. He will track down himself in possession the sorcery key to an inexhaustible cache of ideas.

It is unmixed known fact that classical musicians over all ages and centuries have derived musical ideas get round classical as well as non-classical sources. In a sense, thence, this example of Rabindra-sangeet heady creation of classical compositions haw be interpreted as a recapitulation of history. However, a proposition look suggests a difference. That lies in the artistic majority of the source material have round this case, so that elegant strong temptation to plagiarize rust be resisted and the essential nature gleaned, and this can excellence an extremely challenging task.

Also, that endeavour has encouraged an engaging cross-influence. Some of the harmonious musicians have come down reject their ivory towers and delineated Rabindra-sangeet its much overdue push back. The exponents of Rabindra-sangeet lump and large have welcomed that dialogue between these two islands of India's musical culture which were so far largely solitary from each other. For pattern instrumentalists it opened up chaste extremely potent resource to hollow for newer ideas which detain applicable to their own race. Finally, the subtle yet complete consequence could be to move future generations of musicians anent enrich the realm of Harmonious Music from similar sources before the boundary their own domain

Published July 15,