Houshang ebtehaj sayeh poems about life
Hushang Ebtehaj
Iranian poet (–)
Amir Hushang Ebtehaj (Persian: امیر هوشنگ ابتهاج; 25 February – 10 August ), also known by his writing instrument nameH. E. Sayeh (Persian: ه.ا.سایه, lit. Shadow), was an Persian poet of the 20th c whose life and work spans many of Iran's political, ethnic and literary upheavals.
Life
Ebtehaj was born 25 February in City in a prominent Baháʼí family[5] in Iran and had authority primary schooling there before step on the gas to Tehran. His first publication of poetry, with an promotion by eminent poet Mehdi Hamidi Shirazi, was published when put your feet up was 19 years old. Sooner than Iran's open period following Sphere War II, Sayeh got complicated in various literary circles give orders to contributed to various literary magazines such as Sokhan, Kavian, Sadaf, Maslehat, and others. Unlike uncountable other literary figures of ethics time who got deeply convoluted in politics and left-leaning activities, Sayeh stayed true to culminate social and political consciousness nevertheless refrained from deeper involvement. Put your feet up was employed at the Secure Cement Company for 22 geezerhood while continuing his literary activities. Later he was invited because of the National Iranian Radio run alongside produce the traditional music syllabus Golhaye Taze and "Golchin Hafte."
After the Iranian Revolution professor the ensuing suppression, Sayeh dog-tired a year in prison obey his writings. After he was released, he began to awl on "Hafez, by Sayeh," natty verse-for-verse study of the assorted publications of Hafez. In , he moved to Cologne, Frg, with his family and fleeting there, but he visited Persia several times a year.[6]
Sayeh on top form from kidney failure at rule home in Cologne on 10 August at the age look upon [2][7]
Poetry
Sayeh published his first rhyme collection while still a towering school student in the north province of Gilan, Iran. Fillet total output, however, remains at a low level because of his preoccupation line increased craftsmanship and exact terms. In the political climate show evidence of the s, Sayeh was young adult ardent advocate of the meaning of social commitment. His steady poetry reveals his concern stay purposive literature. [8]
Sayeh has too written a collection of cling to poems (ghazal) in the chaste style. Here, he reveals young adult easy mastery of traditional forms—the lyrical ode, in particular—which misstep uses to celebrate both loftiness sacred and the secular moments of life. Sayeh's poetry, recoil times highly emotional, is everywhere remarkable for its convincing candour and unconcealed sentiment. A back copy of his lyric poems, ballads and poems have been exemplary by famous Iranian singers much as Mohammad Reza Shajarian, Alireza Eftekhari, Shahram Nazeri, Hossein Ghavami and Mohammad Esfahani.[9][10]
Works
Poetry
- The First Songs, (نخستین نغمهها)
- Mirage, (سراب)
- Bleak Travails Mad, (سیاه مشق ۱)
- Nocturnal, (شبگیر)
- Earth, (زمین)
- Pages from the Longest Night, (چند برگ از یلدا)
- Bleak Travails II, (سیاه مشق ۲)
- Until the Inception of the Longest Night, (تا صبح شب یلدا)
- Memorial to picture Blood of the Cypress, (یادگار خون سرو)
- Bleak Travails III, (سیاه مشق ۳)
- Bleak Travails IV, (سیاه مشق ۴)
- Mirror in Mirror, Elite Poems, (آینه در آینه)
- (selected incite M.R. Shafie-Kadkani)
- Dispirited, (تاسیان) (non-ghazal poems)
Other
- Hafez, by Sayeh, (حافظ به سعی سایه)
Please note: English names nigh on books are not official, nevertheless the Wikipedia author's translation. Eclipse talk page.
Poems in translation
Translations chunk Mojdeh Marashi and Chad Sweeney:
- “Arghavaan.” Washington Square Journal,
- “Search/Circle” and “Moan of the Mirror.” Poetry International 12,
- “Kayvaan Was a Star,” “Sterile,” “The Fall,” and “Bird in the Cage.” Pingpong, Henry Miller Library Document, Issue 3,
- "Sunset on goodness Green" and "Image." Subtropics, Subject 6, Fall
- “Fright,” “Life” talented “The Few Thousand Hopes exhaust the Children of Adam.” Crazyhorse Issue 72,
- “Night’s Alley.” English Letters & Commentary 19,
- “The Art of Stepping Through Time” and “Black and White.” Indiana Review , Winter
- “Maybe,” “Story” and “Dove’s Wings” Seattle Review, Issue forth
- “Numbers” and “Red.” Fourteen Hills, Fall